Fifteen artists have been selected as the inaugural beneficiaries of NZ On Air’s New Music Pan-Asian funding.

The initiative, the first of its kind, aims to support the Asian music community in New Zealand.

The fund was established due to a lack of equitable representation of Asian musicians in the country’s music sector, says Teresa Patterson, head of music at NZ On Air.

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“Our Music Diversity Report clearly showed the under-representation of Pan-Asian New Zealand musicians in the Aotearoa music sector,” she said.

“This is reflected in the number of funding applications we received for this focus round.”

The funding provides musicians with up to $10,000 for recording, mixing and mastering a single, some of which can be set aside for the promotion and creation of visual content to accompany the song’s release.

“We received 107 applications for 15 grants, which is outstanding,” Patterson said.

‘Wonderful range’
“The range of genre, gender and ethnicity among the applicants was wonderful. We received applications from artists who identify as Chinese, Indian, Filipino, South Korean, Japanese, Indonesian, Sri Lankan, Malaysian, Thai and Iraqi.

“The genres varied from alternative/indie and pop to hip-hop/RnB, dance/electro and folk/country.”

Six of the 15 songs that secured funding are bilingual, featuring Asian languages such as Cantonese, Korean, Japanese, Malay and Punjabi.

Patterson believed this variety would “really help to reflect the many voices of Aotearoa New Zealand” and add to the vibrant cultural music mix experienced by local audiences.

Swap Gomez, a drummer, visual director and academic lecturer, was one of the panel members responsible for selecting the musicians for the funding. He emphasised the challenges faced by Asian musicians in New Zealand.

“What was awesome to see was so many Pan-Asian artists applying; artists we had never heard of coming out of the woodwork now that a space has been created to celebrate their work,” Gomez said.

“This is the time we can celebrate those Pan-Asian artists who have previously felt overlooked by the wider industry.

“Now there is an environment and sector where they can feel appreciated for their success in music. As a multicultural industry, developing initiatives such as this one is more crucial than ever.”

NZ On Air has announced that funding opportunities for Asian musicians will continue in the next financial year.

“The response we have had to this inaugural NZ On Air New Music Pan-Asian focus funding round has been phenomenal,” Patterson said.

“It tells us that there is a real need, so NZ On Air is excited to confirm that it will return in the new financial year.”

The full NZ On Air’s Pan-Asian New Music recipient list:

• Amol; cool asf
• Charlotte Avery; just before you go
• Crystal Chen; love letter
• hanbee; deeper
• Hans.; Porcelain
• Hugo Chan; bite
• Julius Black; After You
• LA FELIX; Waiting
• Lauren Gin; Don’t Stop
• Memory Foam; Moon Power
• Phoebe Rings; 아스라이
• RESHMA; Kuih Lapis (Layer Cake)
• tei.; sabre
• Terrible Sons; Thank You, Thank You
• Valere; Lily’s March

This article is republished under a community partnership agreement with RNZ.

This content originally appeared on Asia Pacific Report and was authored by APR editor.

Concerns are being raised about the future survival of the iTaukei (Fijian) language as a threat of extinction looms despite its everyday use among its people.

A language and culture scholar in Fiji, Dr Paul Geraghty, said a growing generational gap within the iTaukei language had been detected and caused concern.

Dr Geraghty said the extent of knowledge of iTaukei vocabulary and its diversity through the different dialects had reduced significantly over the years.

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“Young people of today, especially in urban areas, do not speak as well as their parents or grandparents. They don’t have the same vocabulary knowledge, so that is something to be concerned about,” he said.

“People are losing their distinctiveness. The language is becoming what I would call standard Fijian or Fijian of the urban centres.”

Dr Geraghty added that the loss of richness within the iTaukei language was rooted in Fiji’s long colonial history.

“The peculiar colonial history that we have is to a large extent to blame not only for the loss of indigenous languages in Fiji or the reduction of the knowledge of Fijian language but also perceptions are an essential thing.”

New Zealand’s influence on Fijian education
Dr Geraghty explained that until 1930 all education was in the vernacular, either iTaukei, Hindi (Fiji’s second largest spoken language) or Rotuman, until it was no longer sustainable and colonial law makers began to look to the region for assistance.

“The New Zealand government began teaching in Fiji, and its education system was not inclusive towards teaching Māori, which is not the case today. But that culture was brought across to Fiji and children were punished for speaking in their native languages.”

The lasting impacts of this event were still actively practised in Fiji, added Dr Geraghty.

“We look up to English as a superior language and make jokes about people who don’t speak English well. That is not funny — English people don’t make jokes about people who can’t speak French. The most important thing in a child’s education is learning to speak their language well.”

Dr Geraghty has advocated the importance of incorporating native language into the education system as a scholar of language.

History has always been a leading guide to the future, and learning not to repeat the past, is what linguists advise.

Importance of sustaining iTaukei language
Dr Geraghty said that multilingualism was vital for a child’s education as it stimulated the mind and opened many other possibilities.

“Bilingualism and multilingualism — speaking two or more languages should be encouraged as it will increase the beauty of diversity in the world and our knowledge of this world and our position in it.”

A call for the Fijian Ministry of Education to act now and implement the compulsory learning of iTaukei and Hindi in schools was paramount.

Dr Geraghty added while the Fijian government and universities had started incorporating vernacular into the curriculum, more needed to be done.

Fijian Language Week celebration

The Fijian community has launched a week-long celebration of the Fijian language, traditions and culture with events across Aotearoa.

The Minister for Pacific Peoples, Aupito William Sio, marked Macawa ni Vosa Vakaviti — Fijian Language Week, welcoming this year’s theme of nurture, preserve and sustain the Fijian language.

Aupito acknowledged the enduring strength and sustainability of Vosa Vakaviti and its importance as the Fijian community navigated its recovery from the covid-19 pandemic.

“Fiji has been hit hard by the covid-19 pandemic and climate change’s ever-increasing impacts,” he said.

“Yet, while it faces a road to recovery, the Fijian people can always rely on their language, traditions and values to sustain them.

“Now more than ever, the Fiji language, culture, and identity is important to uphold both in Aotearoa and Fiji.”

Aupito said the Fijian community in Aotearoa, New Zealand, should be applauded for their tireless efforts in advocating for and strengthening Vosa Vakaviti.

This article is republished under a community partnership agreement with RNZ.

This content originally appeared on Asia Pacific Report and was authored by APR editor.